In this paper, we argue for craftivism as a form of social activism with a political depth reached through making. From Mary Wollstonecraft to the suffragettes, Betsy Greer to DIY, craftivism has had a place in feminist activism. The human tradition for making objects combined with the online possibility of documentation, has made craftivism a political weapon. But it is a soft weapon, where the power lies in the pain and suffering it reminds us off. This protest is often performed (...) by women and history shows that this is why craft has been seen as something other than art, and as a form of political protest today. This article ties the history of feminist craft to the current movement of craftivism, arguing for this art herstory to be part of the canon and part of a political solution. (shrink)

WORK AS IMPROVEMENT - HUSBANDRY, HOUSEKEEPING AND CAPITALISM IN 16TH ANN 17TH CENTURY ENGLANDThis article traces the development of a new attitude to work as improvement in early modern England. By focusing on agricultural manuals from the period, the author shows how the attitude to work as improvement developed as a response by yeomen and gentleman farmers to their increasing subjection to market imperatives. In contrast to the ethics of housekeeping, which stressed the good maintenance and ordering of the ‘house’ (...) in the broadest sense as the primary aim of social and economic activities, the new idea of improvement focused on activities directed at the market. This idea established new distinctions between good and bad work, and it created new criteria for valorizing different types of agricultural activities. The constant drive to measure the value of agricultural work in terms of market price, and to continually raise productivity and efficiency and make use of the latest techniques and inventions became pivotal for these agricultural writers. The idea of work as improvement had a wide range of new moral, cultural and political dimensions, all of which consolidated into a more coherent ideology of improvement by the late 16th century. (shrink)